When I left the church, I found the mural – a very different way to reflect God’s space in the world. It was painted by four graffiti artists who were asked to collaboratively interpret what faith means to them. It’s pretty far removed from stained glass and organ music, but it no less reflects the sacred spaces in which God dwells. I was moved by the colour, the vibrancy, and the energy it exudes. (To learn more, be sure to watch the video on this page.)
After the mural, it was off to the AGO and the much hyped King Tut exhibit. I hadn’t really cared about the exhibit at first, but it seemed like a once in a lifetime experience, so I couldn’t resist.
Talk about awe-inspiring! In a way I wasn’t expecting, I was moved almost to tears by the more than three thousand year old artifacts, jewellery, sculptures, and even the wicker bed dear ol’ Tut may have slept on.
I pulled out my notebook and started jotting down details I didn’t want to forget. Mostly, I was inspired by what careful artistry was demonstrated in almost every piece. This wasn’t crude or rudimentary – this was intricate and absolutely stunning. Tiny gold beads blended together to make a collar or necklace, carved statues of rulers and gods and princesses, gold finger and toe coverings peeled from Tut’s mummy, and gold sandals meant to carry him into the afterlife.
What struck me as I stood there in awe was how much of the intricate, beautiful artisanship was meant primarily to connect people to their gods. Not only were there sculptures of several Egyptian gods, as well as artifacts (urns, alters, etc.) used in worship of them, but there were so many items in Tut’s tomb that had been placed there specifically to prepare him for the afterlife when he would join the gods in their heaven. Many of the items were plated with gold, because the believed gold to be “god’s skin”.
Something powerful and a little mysterious struck me right there in the gallery. If I hadn’t been surrounded by so many people, I might have dropped to the floor in tears.
For thousands of years, people have been searching for God and trying to connect to the sacred in one way or another. There has always been, in people’s hearts, a sense of “the other” and, along with that, a deep, deep longing to find a connection to whatever it is.
And for thousands of years – because God is a God of beauty, majesty, and creativity – one of those connecting points has been through art. The Egyptian artifacts, the stained glass windows, and the mural – all were saying the same thing. “We long to be witnesses of the presence of God in the world. This is as close as we can come to reflecting what that means.”
Part of my emotional reaction was the result of many years of suppressing this in my own life. In an evangelical protestant upbringing like I’ve had, art rarely plays a central role in spiritual practices or in the way that people seek out God. It’s not that art was seen as bad – it was just kind of frivolous and wasn’t worth as much as traditional prayer and service and the ultimate good of “leading people to Christ”.
There has been a longing in me that’s hard to describe. A longing to paint, to create, to express myself and be true to my own spirit. After years of not fully understanding it, I know that this longing is one of the ways God calls me into meaningful relationship.
Not long ago, my friend Stephanie profiled me in an article about women in leadership. After asking a few questions about what art means to me, she ended the article with my quote, “art connects me to God.” I was so happy to see it conclude that way. It took a long time to learn this, but it sure does feel good now that I’m a little closer to understanding.