Tucked into the corners of the mirror in my bedroom are two photos of me. In the black and white photo, I’m a young child, reaching across the table to dip my finger into a bowl of sugar. In the coloured photo, I’m a twenty-six-year-old, standing next to my sister, with a large backpack on my back and a smaller one on my front.
Mostly, I forget that the photos are there, but sometimes I catch sight of them and then I pause for a moment to remember those younger versions of me. When I’m feeling particularly reflective, as I am today, I wonder about the thoughts, fears and dreams of each of those younger versions of me.
They are both, in their own ways, reaching for sweetness. The young child, with a guilty look on her face, is trying to sneak some of the sugar before the grownups notice, snatch it away, or shame her for it. She’s already grown accustomed to being called chubby, and if she didn’t know by then, it wouldn’t be much longer before she’d find out just how undesirable it was to be fat and how shameful it was to want a little more sweetness in her life.
The young woman is standing on British soil on her first grand adventure. She’d reached for sweetness across the ocean, backpacking across Europe to feed her wanderlust. What you can’t see on the photo, though, is the engagement ring on her finger. She’s coming home from that trip to get married and settle down. It will be years before she crosses an ocean again.
Beneath the sweetness of both photos, there is an undertone of sadness. When you peel back the layers, they tell the story of a young woman who’s learning about the limitations of what she is allowed to reach for. She’s learning how far she can go before she gets pulled back. She’s learning not to want too much. She’s learning about shame and expectations and acceptability and responsibility and… all of what it means to grow up a woman.
In the movie Everything Everywhere All at Once, Evelyn Wang is a Chinese-American woman who runs a struggling laundromat with her husband, Waymond. Through a strange turn of events, she discovers that she’s living in a multiverse and that every choice she’s made throughout her life has created an alternate universe where another version of her continues to live out the consequences of the other option of that choice. (For example, in one, she chose not to marry and is living a successful life as a movie star.) In the Alpha Universe – the original universe – people have discovered the existence of other universes and they have found a way to “verse-jump” between them, to access the skills, memories, and bodies of their parallel universe counterparts. They have come to Evelyn for help.
The multiverse is being threatened by Jobu Tupaki, who turns out to be Evelyn’s daughter Joy, whose mind was splintered in the Alpha Universe when the Alpha version of Evelyn pushed her to extensively verse-jump and inhabit other bodies. Evelyn (the laundromat version) is tasked with stopping Jobu Tupaki in order to save the multiverse. To do so, she must verse-jump and briefly inhabit other versions of the person she could have been if she’d made other choices.
In the end (spoiler alert), she must repair a breech with her daughter and talk her out of a nihilistic, destructive view of life so that she doesn’t destroy the multiverse.
As I stand in front of the mirror, remembering those other versions of me, I can’t help but wonder what life could be like if either of those two younger versions of me had made other choices. What if young-child-me had chosen not to accept the shame imposed by a fatphobic culture and had learned to live a life of radical self-love right from the beginning? What if young-adult-me had admitted to herself just how much she loved to travel and how much she doubted that marriage was the right path, and she’d sent back the ring and extended her stay in Europe?
Where would I be now, if I hadn’t been trying so hard to live in a way that was acceptable to my family/community/religion of origin? What if I’d had – right from the start – the kind of safety and belonging I needed to know it was okay to make different choices?
What we only see a glimpse of in Everything Everywhere All at Once is the long-term impact of laundromat-Evelyn discovering the alternative outcomes of the choices she made throughout her life. I want the sequel, the rest of the story. Does she simply accept the status quo, accept that she’s doing the best that she can, or does she recognize the possibility for making new choices that free her from some of the restraints of the old ones? What adjustments does she make in order to live a more liberated future? How does she learn to love herself into her own wholeness?
That begs the question outside of the multiverse… Is there a moment when a person can wake up and see the past, present, and future through less clouded lenses? Is there a moment when you have both the vision and the strength to hold the possibility that your life could still turn out differently? A moment that doesn’t bury you under the weight of regret over the intervening years since those original choices were made? A moment (or, more likely, a series of moments) when you can choose a path toward a life more free of the burdens of other people’s expectations and rules, and the weight of the cultural systems that have shaped you?
I believe there is. Like Richard Rohr in the book Falling Upward: A Spirituality for the Two Halves of Life, I believe that most of us reach a threshold in midlife when something happens – a fall, a tragedy, a failure, a relationship breakdown – when we can choose to cling to the life we’ve worked so hard to construct (a life that lives up to the standards we thought were acceptable and that offered us safety and belonging), or we can lean into something more ambiguous, more openhearted, and more authentic. It’s a liminal space moment, when we can choose to fall into the abyss – to release the past, deconstruct the rules and expectations we were working so hard to follow, and dare to become more fully ourselves.
Like a giant game of Jenga, we construct our lives out of the pieces we’ve mostly inherited or constructed based on what we’ve been taught – belief systems, values, rules, cultural practices, relationship patterns, identity, career path, gender expression, and so on. Then, somewhere in the middle, a few pieces get knocked out of our foundation, or we choose to remove them, or we see that they are made of nothing but vapour. Then suddenly what we’ve constructed begins to tumble. Suddenly we see that what we’ve built is precariously balanced and not as sturdy as we’d imagined it to be.
We can choose to accept the deconstruction of the tower, sit in the messiness for awhile, and then find the courage and strength to carry on. Or we can desperately cling to what was and keep plugging the holes and propping up the tower.
Easter weekend always brings back memories of a particular moment when I knew my Jenga tower was about to crash. In 2011, on Easter weekend, we got confirmation that Mom had cancer that would likely kill her. At a family Easter gathering, just after we’d learned about the cancer, my former husband and I got into a big fight. On the way home, while I tried to keep the conversation restrained so our sleeping daughters in the back of the van wouldn’t hear, I told him I was ready to end the marriage and would only give it another chance if he would take the initiative to find us a marriage therapist. Then, on Sunday morning in church, after years of trying to hang onto the shards of my faith, I finally admitted to myself that I no longer knew how to find meaning in the version of the Easter story I’d always heard in church.
Two years earlier, I’d quit my job to start self-employment, but didn’t yet have a stable income. A few years before that, my dad died. That meant that the four foundational pieces on which my Jenga tower was built – marriage, faith, career, and parents – were all at risk simultaneously, some by my choice and some by forces outside my control.
I woke up on the Monday after Easter with an all-consuming sense of dread, terrified that my whole life was about to be destroyed and that my daughters would be taken down with me. For the next few years, I tried desperately to plug the holes and prop up the tower. I kept going to church and I kept trying to save my marriage. Five years later, though, everything was gone – mom had died, my marriage ended, and I stopped going to church. There was nothing but a pile of Jenga pieces on the floor at my feet.
In a game of Jenga, the toppling of the tower marks the end of the game. Life is not like that, though. Instead of marking the end of the story, deconstruction offers an invitation to write a whole new narrative. It’s the moment when you learn that you can let go of the pieces of the tower that don’t belong to you, and you can begin to build something much more sturdy, beautiful, and true. It’s the moment when you realize that the tower was probably also a cage.
My life was not destroyed the way my anxiety told me it would be. It was wobbly for awhile, and I woke up many mornings with that familiar sense of dread, but then I discovered that my deconstruction was liberating me from my tower/cage. It allowed me to tell the truth and to free myself of the parts of my life that didn’t feel true. I discovered I could build the kind of work that gave my life purpose and joy. I could grow relationships with much deeper and more authentic roots. I could search for the version of faith that felt most alive for me. I could say yes to what I loved and no to what limited me. I could find healing for the wounds left behind by the cage and I could grow in ways I never dreamed possible.
Today, when I look at those two photos of younger-me, with the reflection of current-me in the mirror between them, I invite them back into my life and I tell them that, from now on, I will do my best to be true to them. I will build a life that their dreams can be proud of. I will not let them be shamed for the ways in which they reached for sweetness. I will not let them be tethered to other people’s fears or limitations. I will continue to dismantle any of the pieces of the tower/cage that might still bind them.
Unlike laundromat-Evelyn, I can’t step into a parallel universe to discover the alternative outcomes of the choices made by either of the younger versions of me. But I can make choices on their behalf that honour and liberate them, choices less bound by whatever kept them caged.
There’s a pedestrian tunnel I pass through regularly, in all seasons. In summer, I often cycle through, and in winter, I pass through on foot. The tunnel provides a safe passage under a busy freeway. It’s a connecting point between my sister’s house and mine, and it’s also along the best cycling route from my house to downtown.
(Note: There is a free resource at the bottom of this post.)
“Not only did she survive, but she kept rewriting her stories until she found enough space in them for all of the wounded to be held.”
I’ve embarked on a new project recently. I’m writing a collection of personal essays that will eventually become my next book.
This year, I’m spending time in an intentional liminal space, taking time to imagine the next part of my life. With no more dependents, no partner, and no parents still alive, I have no need to live in the house or city where I currently live and can make choices solely for myself. I’m asking myself what I value, what I no longer need, and what matters most to me. As I look around my house, I’m imagining what kind of space I want next, which of my furniture suited the old part of my life but isn’t needed in the next, and which things I love too much to ever part with.
This seems like a good time to also consider the non-tangible things I want to bring with me into the next part of my life. One by one, I’m excavating the stories that shaped me into who I am – the heartaches, the triumphs, the traumas, and the failures – and I’m holding them up to the light to see what new things they have to reveal, and which parts are no longer relevant. It’s a little like digging through the attic for the family’s antiques to see if they should be polished, repurposed, given away, or discarded.
This isn’t an entirely new process for me – I did something similar when I got divorced and was intentional about turning my home from the sometimes-unsafe place it had been into a sanctuary of healing for my daughters and myself. This time, though, I’m doing it largely for myself (with only a little consideration for what support my daughters still need) and feel more free to share pieces of that journey with you, my readers (if I choose to).
Already, only a short way into the process, the stories are shape-shifting and becoming things I didn’t expect them to be. Some are taking on more nuance, depth, and meaning, and some are revealing to me that I’ve been stubbornly hanging onto tired old versions of them that should have landed on the rubbish heap.
One thing that’s surprising me is that this process is not only changing my view of myself, but also my view of the other people in some of the stories. In some cases, I see them more clearly for who they have always been instead of the way I so badly wanted them to be, and that’s allowing me to be clearer about my boundaries. In other cases, I’m better able to see the whole picture instead of just my part of it, and that allows me to extend a little more mercy.
The first story I took on was in some ways the hardest and in some ways the easiest. It’s the story of how I was raped as a twenty-two-year-old by a stranger who climbed through my window. It’s the hardest because it was pivotal in my life and it’s heartbreaking to more clearly see the many layers of trauma that came from carrying that story forward into my life and marriage. But it’s easiest because the only other player in the story is a stranger and I don’t have to worry about hurting anyone else in my life by telling my version of the story.
The line at the top of this post is from that piece. I wrote it after wrestling for several days with the story, when I realized that the process of writing had allowed me to hold my rapist differently. In the end, as I witnessed my own triumph, courage, and resilience in that narrative, I was also able to more gently witness the brokenness and pain that my rapist must have been tormented with (and is likely still tormented with, if he is still alive). How much hatred and shame must one be carrying to climb through a stranger’s window to fulfill their own sexual desires? That’s a burden I would never want to carry.
I am reminded, as I work with this story, that “my liberation is tied up with his” (in the words of Lilla Watson). If I want to be truly liberated, no longer carrying the shame and pain of that narrative, than I have to release my rapist from the story so that he has the potential to be free of it too. (That doesn’t mean there shouldn’t be justice or accountability for such a crime – simply that the justice should be restorative, and healing should be the goal.)
As I said in the above quote, the rewriting process is allowing me to find enough spaciousness in those stories and in my attachment to them for all of the wounded to be held. Whether or not they choose to heal is none of my business – I simply release them to their own choices and find my own healing that requires nothing of them.
I am now working on other stories – the ones in which there are people who played longer and more complicated roles in my narrative. I don’t know yet how those stories will shape-shift, but I will hold myself tenderly so that I have the strength to make space in the stories for their healing too. I will not gloss over the hard things or try to justify other people’s actions – I will simply try to tell the truth in a liberated way that isn’t weighed down with bitterness or a need for revenge.
Though this post focuses primarily on the writing and rewriting of these stories, I would be remiss if I didn’t mention that the words on a page only represent part of the process. While writing is my first love, it’s best when it doesn’t stand alone, especially as a path toward healing. I also have regular therapy sessions with a therapist who incorporates somatic healing practices. And, as I’ve learned from modalities such as Narrative Therapy and Family Systems Constellations, I sometimes practice rearranging the story with physical objects that represent the players in those stories. I am also fond of rituals that help me mark and energetically move through important moments and shifts, like when I burn something that represents an old version of a story I’m releasing. (Perhaps I’ll share more about those practices in another post.)
A year from now, when I have (hopefully) a clearer picture of what this next part of my journey will be, I want to be on the journey with more lightness and liberation. This is not a perfect process (stories have a way of popping back up long after I think I’ve let them go) but I’m okay with the imperfection of it. Whatever emerges from my imperfect process, I hope to share it with you.
Are you currently in your own liminal space and want a tool that will help you? I’ve created a free resource that you can download (in PDF): Journal Prompts for the Liminal Space. (After you click on it, you can save it for future use.) And if you want even more, check out my online self-study program, Write for Love and Liberation.
I got glasses recently. I’ve been lucky enough to make it to fifty-five without them (and still only need a weak prescription), but apparently my eyes are aging with my body. When I first put them on and noticed how clear the road signs and TV screens suddenly were, I realized that what I’d been accepting as clarity was actually slightly blurry.
It’s the same in all parts of our lives – there are lots of things that we don’t realize we’re not seeing until we’re given a new pair of glasses.
I was raised in an evangelical church where we were taught that everyone needed to be saved and the highest calling was to bring lost souls to Jesus. That was the lens I saw the world through for the first half of my life. In our tiny country church, we often had visiting missionaries who would share stories of the places – both faraway and in northern parts of our country – where they were building churches and schools and bringing people the gospel. Those missionaries were held in high regard.
What I couldn’t see back then, because I didn’t have the right pair of glasses, was how much that worldview had allowed Christianity to be in an enmeshed relationship with colonization all over the world. When colonizers want to take over the land and resources, what better bedfellows than Christians who want to convert the “heathens”, and replace their culture and spiritual practices with Christianity?
Around twenty-five years ago, I started to see it. Books, conversations and movies gradually opened my eyes, and I allowed the questions to keep growing. It was hard, at first, because it felt like betrayal of my past and an abandonment of the people whose beliefs I was beginning to question, but once you start to see it, it’s hard to un-see it.
Seventeen years ago, I wrote my first blog post when I was preparing for my first trip to Africa. I wrote this… I won’t preach from my white-washed Bible. I won’t expect that my English words are somehow endued with greater wisdom than theirs. I will listen and let them teach me. I will open my heart to the hope and the hurt. I will tread lightly on their soil and let the colours wash over me. I will allow the journey to stretch me and I will come back larger than before.
I experienced things on that trip that gave me an even more clear lens on the relationship between colonizers and Christians and the harm done in the name of Christ, and I came home angry, disillusioned and with lots to process. I no longer wanted to be associated with a religion that had done so much harm.
Recently, I’ve been watching the response of Christians to the discovery, here in Canada, of hundreds of unmarked graves on the sites of former residential schools (which were largely run by churches), and I recognize what it’s like to be suddenly asked to put on a new pair of glasses and see the truth of what’s been done in the name of religion. It can be painful, and many want to stay in a state of ignorance, because they can’t get past the cognitive dissonance that comes when something they believe to be good and true and just (the church) has caused so much harm.
But once you put on a new pair of glasses, it’s only with intentional denial that you can stay in the belief that the world looks better without them.
It’s taken me some time to get used to my new glasses. I don’t always love them, because they’re a little disorienting (they’re bifocals, so the world looks different depending on which part of the lens I’m looking through), and it takes some effort to keep them clean, but I know I’ll be better off when I get used to wearing them. I just have to give myself time for the adjustment period.
If you’re having a hard time getting used to a new view and you’re tempted to go back to the old one, don’t give up. Just give your eyes time to adjust.
(Note: I believe that it’s possible to decolonize Christianity and I believe that Jesus provided the model for it. I am glad that there are those who are working hard to dig deeper in that work.)
I adopted a new journal practice this Spring, after reading the book Discovering Your Inner Mother. I wanted to nurture all of the parts of me that are connected to old stories, and I wanted to learn to mother myself better.
Each morning, when I sit down with my journal (often sitting on the dock in the local park – my new favourite journal-writing spot), I write, at the top of the page, “Which Heather wants to show up on the page today?” And then I wait a moment to see which voice from my past wants to be heard.
Sometimes it’s the preteen who wants to tell me about how she felt like an outsider at school because she grew up Mennonite and didn’t have a TV and never got to read Teen Beat and didn’t have any entry points into the celebrity-focused conversations the other girls loved to have. Plus she was poor and wore hand-me-down clothes.
Sometimes it’s the young mom who wants to speak about how overwhelmed she felt, with babies and a demanding job, and how she doubted herself and wished she had more of a community to lean on, especially when her husband struggled with mental illness.
Whoever shows up, I hold space for her, as a patient and loving mother would, and when she’s finished speaking, I assure her that she is safe and protected and loved and that I will always listen to her and make choices that hold her best interests at heart.
Recently, during a therapy session, I had a breakthrough in naming and healing one of my traumas. I was able to connect a body sensation that is often present in times of stress and trauma-triggering with a specific moment when harm was done to younger Heather. After doing some work on it, my therapist asked “what are you feeling now, in your body?”
“I still have a bit of the sensation, but it’s weakened, and… there’s something else. I feel a little excitement in me. Almost like there’s a little girl jumping up and down inside my chest. She’s excited because she thinks that if I let go of that trauma, then maybe she can finally come out and play.”
And then I realized that there was something missing from my journal practice. I was allowing the voices of Wounded Heather to show up on the page, at whatever age she was, but I hadn’t yet invited Playful Heather or Passionate Heather or Sensuous Heather. I hadn’t yet considered the voices that Wounded Heather might have silenced because it didn’t feel safe to express those other things. (As I wrote earlier in the Spring, there is a danger in worshipping our wounds.)
Since then, I’ve been listening to the voices that have been silenced by the trauma. I have invited Sensuous Heather to tell me what she most longs for. I’ve asked Playful Heather what her favourite forms of play are. I’ve let Passionate Heather guide me in seeing the world through her eyes. I’ve asked those voices to tell me when they were silenced and what I can do to set them free.
When this post goes out into the world, I will still be on my summer sabbatical. I have taken this sabbatical partly because I want to dedicate more time to listening to those other voices.
Just before my sabbatical started, I told a dear friend “I think I’ve grown tired of my trauma. I’m ready to find out what’s next.” And so… here I am, in that place of discovery, exploring what joy, passion, desire, and sensuousness feel like in a body that’s a little closer to healing and liberation.
If you want to adopt a new writing practice that will help you heal and grow, you might want to try Write for Love and Liberation, which was recently re-launched as a self-study program.