Tucked into the corners of the mirror in my bedroom are two photos of me. In the black and white photo, I’m a young child, reaching across the table to dip my finger into a bowl of sugar. In the coloured photo, I’m a twenty-six-year-old, standing next to my sister, with a large backpack on my back and a smaller one on my front.
Mostly, I forget that the photos are there, but sometimes I catch sight of them and then I pause for a moment to remember those younger versions of me. When I’m feeling particularly reflective, as I am today, I wonder about the thoughts, fears and dreams of each of those younger versions of me.
They are both, in their own ways, reaching for sweetness. The young child, with a guilty look on her face, is trying to sneak some of the sugar before the grownups notice, snatch it away, or shame her for it. She’s already grown accustomed to being called chubby, and if she didn’t know by then, it wouldn’t be much longer before she’d find out just how undesirable it was to be fat and how shameful it was to want a little more sweetness in her life.
The young woman is standing on British soil on her first grand adventure. She’d reached for sweetness across the ocean, backpacking across Europe to feed her wanderlust. What you can’t see on the photo, though, is the engagement ring on her finger. She’s coming home from that trip to get married and settle down. It will be years before she crosses an ocean again.
Beneath the sweetness of both photos, there is an undertone of sadness. When you peel back the layers, they tell the story of a young woman who’s learning about the limitations of what she is allowed to reach for. She’s learning how far she can go before she gets pulled back. She’s learning not to want too much. She’s learning about shame and expectations and acceptability and responsibility and… all of what it means to grow up a woman.
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In the movie Everything Everywhere All at Once, Evelyn Wang is a Chinese-American woman who runs a struggling laundromat with her husband, Waymond. Through a strange turn of events, she discovers that she’s living in a multiverse and that every choice she’s made throughout her life has created an alternate universe where another version of her continues to live out the consequences of the other option of that choice. (For example, in one, she chose not to marry and is living a successful life as a movie star.) In the Alpha Universe – the original universe – people have discovered the existence of other universes and they have found a way to “verse-jump” between them, to access the skills, memories, and bodies of their parallel universe counterparts. They have come to Evelyn for help.
The multiverse is being threatened by Jobu Tupaki, who turns out to be Evelyn’s daughter Joy, whose mind was splintered in the Alpha Universe when the Alpha version of Evelyn pushed her to extensively verse-jump and inhabit other bodies. Evelyn (the laundromat version) is tasked with stopping Jobu Tupaki in order to save the multiverse. To do so, she must verse-jump and briefly inhabit other versions of the person she could have been if she’d made other choices.
In the end (spoiler alert), she must repair a breech with her daughter and talk her out of a nihilistic, destructive view of life so that she doesn’t destroy the multiverse.
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As I stand in front of the mirror, remembering those other versions of me, I can’t help but wonder what life could be like if either of those two younger versions of me had made other choices. What if young-child-me had chosen not to accept the shame imposed by a fatphobic culture and had learned to live a life of radical self-love right from the beginning? What if young-adult-me had admitted to herself just how much she loved to travel and how much she doubted that marriage was the right path, and she’d sent back the ring and extended her stay in Europe?
Where would I be now, if I hadn’t been trying so hard to live in a way that was acceptable to my family/community/religion of origin? What if I’d had – right from the start – the kind of safety and belonging I needed to know it was okay to make different choices?
I used to think it was wrong to have regrets, but then I listened to Dan Pink talk about his new book, The Power of Regret: How Looking Backward Moves Us Forward, and now I’ve changed my tune. I’m letting myself see the places where I could have made other choices. I’m holding that regret with tenderness, not with judgement, so that I can make more conscious choices going forward.
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What we only see a glimpse of in Everything Everywhere All at Once is the long-term impact of laundromat-Evelyn discovering the alternative outcomes of the choices she made throughout her life. I want the sequel, the rest of the story. Does she simply accept the status quo, accept that she’s doing the best that she can, or does she recognize the possibility for making new choices that free her from some of the restraints of the old ones? What adjustments does she make in order to live a more liberated future? How does she learn to love herself into her own wholeness?
That begs the question outside of the multiverse… Is there a moment when a person can wake up and see the past, present, and future through less clouded lenses? Is there a moment when you have both the vision and the strength to hold the possibility that your life could still turn out differently? A moment that doesn’t bury you under the weight of regret over the intervening years since those original choices were made? A moment (or, more likely, a series of moments) when you can choose a path toward a life more free of the burdens of other people’s expectations and rules, and the weight of the cultural systems that have shaped you?
I believe there is. Like Richard Rohr in the book Falling Upward: A Spirituality for the Two Halves of Life, I believe that most of us reach a threshold in midlife when something happens – a fall, a tragedy, a failure, a relationship breakdown – when we can choose to cling to the life we’ve worked so hard to construct (a life that lives up to the standards we thought were acceptable and that offered us safety and belonging), or we can lean into something more ambiguous, more openhearted, and more authentic. It’s a liminal space moment, when we can choose to fall into the abyss – to release the past, deconstruct the rules and expectations we were working so hard to follow, and dare to become more fully ourselves.
Like a giant game of Jenga, we construct our lives out of the pieces we’ve mostly inherited or constructed based on what we’ve been taught – belief systems, values, rules, cultural practices, relationship patterns, identity, career path, gender expression, and so on. Then, somewhere in the middle, a few pieces get knocked out of our foundation, or we choose to remove them, or we see that they are made of nothing but vapour. Then suddenly what we’ve constructed begins to tumble. Suddenly we see that what we’ve built is precariously balanced and not as sturdy as we’d imagined it to be.
We can choose to accept the deconstruction of the tower, sit in the messiness for awhile, and then find the courage and strength to carry on. Or we can desperately cling to what was and keep plugging the holes and propping up the tower.
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Easter weekend always brings back memories of a particular moment when I knew my Jenga tower was about to crash. In 2011, on Easter weekend, we got confirmation that Mom had cancer that would likely kill her. At a family Easter gathering, just after we’d learned about the cancer, my former husband and I got into a big fight. On the way home, while I tried to keep the conversation restrained so our sleeping daughters in the back of the van wouldn’t hear, I told him I was ready to end the marriage and would only give it another chance if he would take the initiative to find us a marriage therapist. Then, on Sunday morning in church, after years of trying to hang onto the shards of my faith, I finally admitted to myself that I no longer knew how to find meaning in the version of the Easter story I’d always heard in church.
Two years earlier, I’d quit my job to start self-employment, but didn’t yet have a stable income. A few years before that, my dad died. That meant that the four foundational pieces on which my Jenga tower was built – marriage, faith, career, and parents – were all at risk simultaneously, some by my choice and some by forces outside my control.
I woke up on the Monday after Easter with an all-consuming sense of dread, terrified that my whole life was about to be destroyed and that my daughters would be taken down with me. For the next few years, I tried desperately to plug the holes and prop up the tower. I kept going to church and I kept trying to save my marriage. Five years later, though, everything was gone – mom had died, my marriage ended, and I stopped going to church. There was nothing but a pile of Jenga pieces on the floor at my feet.
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In a game of Jenga, the toppling of the tower marks the end of the game. Life is not like that, though. Instead of marking the end of the story, deconstruction offers an invitation to write a whole new narrative. It’s the moment when you learn that you can let go of the pieces of the tower that don’t belong to you, and you can begin to build something much more sturdy, beautiful, and true. It’s the moment when you realize that the tower was probably also a cage.
My life was not destroyed the way my anxiety told me it would be. It was wobbly for awhile, and I woke up many mornings with that familiar sense of dread, but then I discovered that my deconstruction was liberating me from my tower/cage. It allowed me to tell the truth and to free myself of the parts of my life that didn’t feel true. I discovered I could build the kind of work that gave my life purpose and joy. I could grow relationships with much deeper and more authentic roots. I could search for the version of faith that felt most alive for me. I could say yes to what I loved and no to what limited me. I could find healing for the wounds left behind by the cage and I could grow in ways I never dreamed possible.
Today, when I look at those two photos of younger-me, with the reflection of current-me in the mirror between them, I invite them back into my life and I tell them that, from now on, I will do my best to be true to them. I will build a life that their dreams can be proud of. I will not let them be shamed for the ways in which they reached for sweetness. I will not let them be tethered to other people’s fears or limitations. I will continue to dismantle any of the pieces of the tower/cage that might still bind them.
Unlike laundromat-Evelyn, I can’t step into a parallel universe to discover the alternative outcomes of the choices made by either of the younger versions of me. But I can make choices on their behalf that honour and liberate them, choices less bound by whatever kept them caged.
(Note: There is a free resource at the bottom of this post.)
“Not only did she survive, but she kept rewriting her stories until she found enough space in them for all of the wounded to be held.”
I’ve embarked on a new project recently. I’m writing a collection of personal essays that will eventually become my next book.
This year, I’m spending time in an intentional liminal space, taking time to imagine the next part of my life. With no more dependents, no partner, and no parents still alive, I have no need to live in the house or city where I currently live and can make choices solely for myself. I’m asking myself what I value, what I no longer need, and what matters most to me. As I look around my house, I’m imagining what kind of space I want next, which of my furniture suited the old part of my life but isn’t needed in the next, and which things I love too much to ever part with.
This seems like a good time to also consider the non-tangible things I want to bring with me into the next part of my life. One by one, I’m excavating the stories that shaped me into who I am – the heartaches, the triumphs, the traumas, and the failures – and I’m holding them up to the light to see what new things they have to reveal, and which parts are no longer relevant. It’s a little like digging through the attic for the family’s antiques to see if they should be polished, repurposed, given away, or discarded.
This isn’t an entirely new process for me – I did something similar when I got divorced and was intentional about turning my home from the sometimes-unsafe place it had been into a sanctuary of healing for my daughters and myself. This time, though, I’m doing it largely for myself (with only a little consideration for what support my daughters still need) and feel more free to share pieces of that journey with you, my readers (if I choose to).
Already, only a short way into the process, the stories are shape-shifting and becoming things I didn’t expect them to be. Some are taking on more nuance, depth, and meaning, and some are revealing to me that I’ve been stubbornly hanging onto tired old versions of them that should have landed on the rubbish heap.
One thing that’s surprising me is that this process is not only changing my view of myself, but also my view of the other people in some of the stories. In some cases, I see them more clearly for who they have always been instead of the way I so badly wanted them to be, and that’s allowing me to be clearer about my boundaries. In other cases, I’m better able to see the whole picture instead of just my part of it, and that allows me to extend a little more mercy.
The first story I took on was in some ways the hardest and in some ways the easiest. It’s the story of how I was raped as a twenty-two-year-old by a stranger who climbed through my window. It’s the hardest because it was pivotal in my life and it’s heartbreaking to more clearly see the many layers of trauma that came from carrying that story forward into my life and marriage. But it’s easiest because the only other player in the story is a stranger and I don’t have to worry about hurting anyone else in my life by telling my version of the story.
The line at the top of this post is from that piece. I wrote it after wrestling for several days with the story, when I realized that the process of writing had allowed me to hold my rapist differently. In the end, as I witnessed my own triumph, courage, and resilience in that narrative, I was also able to more gently witness the brokenness and pain that my rapist must have been tormented with (and is likely still tormented with, if he is still alive). How much hatred and shame must one be carrying to climb through a stranger’s window to fulfill their own sexual desires? That’s a burden I would never want to carry.
I am reminded, as I work with this story, that “my liberation is tied up with his” (in the words of Lilla Watson). If I want to be truly liberated, no longer carrying the shame and pain of that narrative, than I have to release my rapist from the story so that he has the potential to be free of it too. (That doesn’t mean there shouldn’t be justice or accountability for such a crime – simply that the justice should be restorative, and healing should be the goal.)
As I said in the above quote, the rewriting process is allowing me to find enough spaciousness in those stories and in my attachment to them for all of the wounded to be held. Whether or not they choose to heal is none of my business – I simply release them to their own choices and find my own healing that requires nothing of them.
I am now working on other stories – the ones in which there are people who played longer and more complicated roles in my narrative. I don’t know yet how those stories will shape-shift, but I will hold myself tenderly so that I have the strength to make space in the stories for their healing too. I will not gloss over the hard things or try to justify other people’s actions – I will simply try to tell the truth in a liberated way that isn’t weighed down with bitterness or a need for revenge.
Though this post focuses primarily on the writing and rewriting of these stories, I would be remiss if I didn’t mention that the words on a page only represent part of the process. While writing is my first love, it’s best when it doesn’t stand alone, especially as a path toward healing. I also have regular therapy sessions with a therapist who incorporates somatic healing practices. And, as I’ve learned from modalities such as Narrative Therapy and Family Systems Constellations, I sometimes practice rearranging the story with physical objects that represent the players in those stories. I am also fond of rituals that help me mark and energetically move through important moments and shifts, like when I burn something that represents an old version of a story I’m releasing. (Perhaps I’ll share more about those practices in another post.)
A year from now, when I have (hopefully) a clearer picture of what this next part of my journey will be, I want to be on the journey with more lightness and liberation. This is not a perfect process (stories have a way of popping back up long after I think I’ve let them go) but I’m okay with the imperfection of it. Whatever emerges from my imperfect process, I hope to share it with you.
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Are you currently in your own liminal space and want a tool that will help you? I’ve created a free resource that you can download (in PDF): Journal Prompts for the Liminal Space. (After you click on it, you can save it for future use.) And if you want even more, check out my online self-study program, Write for Love and Liberation.
Not long ago, I listened to an interview with someone who’d written a piece for the New York Times on the “empty religions of Instagram”. She was critiquing some self-help social media influencers, and she mentioned that some of them “worship their wounds”. On their Instagram feeds, she said, they make themselves accessible by being wounded people, but then they stay with the wound because it makes them feel special and loved and it gets them more followers.
Those words stuck with me. At the time, I was taking a social media break because I was going through a period that was somewhere between burnout and existential crisis. I was wrestling with some of the pressures I wrote about in this article, about trying to be an ethical leader and influencer while avoiding the trap of starting a cult, and I was having a bit of a vulnerability hangover after spending eight months talking about myself and my book. I was suddenly uncertain about how much I wanted to share and engage on social media, and I was feeling some pressure to be performative, which felt antithetical to my commitment to authenticity.
Because I’ve written a book that includes quite a few of my own vulnerable stories, and because much of my work has its roots in those stories (i.e. the original blog post that catapulted this work into the world was about my mom dying), the words of the writer felt somewhat confronting.
Was I, too, guilty of “worshipping my wounds”? Was I monetizing my woundedness and then staying with the woundedness because it’s become part of my brand and it draws people in?
Whew. That’s a really big question. It stopped me in my tracks and caused me to withdraw even further from the public-facing spaces. I spent hours wrestling with it in my journal and had several good conversations with friends. I dug deep, trying to be as honest with myself as I could.
Somewhat ironically, at the same time, I was teaching my course, Write for Love and Liberation, where I was telling people how liberating and healing it can be to write about your wounds and share your stories. I told them how much more liberated I felt when I was honest about past trauma and abuse and how much that honesty and vulnerability had helped me find community and deepen relationships.
My mind wrestled with the cognitive dissonance of those two things and I didn’t know if they could both be true at the same time.
On the one hand, oversharing and crafting your identity out of a narrative of woundedness and trauma can keep you stuck in your wounds. A relationship or community built out of shared woundedness can give everyone in that relationship or community an excuse to stay wounded. It can also hold people back from healing and growth because people need safety and belonging and are afraid of being abandoned by people who don’t want them to change. (Some of us come from families, for example, that don’t encourage growth because that causes a threat to the family system.)
Plus, a leader who uses her wounds to gather people around her can turn those wounds into performance and connecting points for relationships. She is much more likely to grow unhealthy attachments, to project those wounds onto other people, and to start a cult rather than a healthy growing community. A leader who stays wounded is likely to create trauma bonds with people to ensure that they don’t outgrow her and move on because they’ve healed and no longer need the attachment to her. (Consider the many recent stories of abuse in spiritual communities – those are leaders whose own woundedness tries to trap people and hold them back.)
On the other hand, sharing the stories of our trauma and woundedness can be healing and transformational and those stories can offer beautiful connecting points on which to build community. Some of my biggest personal breakthroughs have come when I’ve read or listened to the stories of people who’ve dared to share their struggles and pain. Over the years, I have heard from many, many people who are grateful that I’ve been so honest in the sharing of my hard stories, because it helps them see themselves more clearly. Shared vulnerability connects us and makes us feel less alone. It can also give us hope that there is a way through the pain into a new story.
So… what is a person to do when they’ve built work that’s rooted in their personal stories, and many of those stories include wounds and trauma that help people find connecting points?
I think the key to that question is in the word that is deliberately part of both my book title and my writing course title… liberation. I think that the writing and sharing of our stories, the gathering of our communities, and the ways in which we show up online, should all be centered around the pursuit of liberation – for ourselves and for each other.
Liberation comes when we can see the wound; name the wound; speak honestly about the wound; erect healthy boundaries with anyone who caused, contributed to, or dismissed the wound; heal the wound; make meaning of the wound; and then free ourselves from the wound and move on.
Liberation comes when we share stories not only of the wounds themselves, but of what it takes to heal the wounds, triumph over the wounds, and stand up to the people or systems that cause the wounds.
Liberation comes when we tell the stories of how we developed healthy boundaries, stopped accepting abuse, and stopped giving ourselves away to people who don’t know how to honour and hold space for us.
Liberation comes when we don’t hold each other back, when we release unhealthy attachments, and when we refuse to participate in codependent relationships that rely on our woundedness.
Liberation comes when we make a conscious choice to detach ourselves from our wounds and we form new identities not built solely on those wounds.
After a considerable amount of reflection on this topic, I have come to a renewed commitment in my work and my life… I will continue to share honestly and vulnerably and will continue to let people see the wounds and trauma that have been part of my past (when I can do so out of a spirit of generosity) BUT… I will not stay in that place, nor will I stay in relationships that keep me in that place. I will do my best to continue healing whatever reveals itself in me and I will support other people in their healing. I will trust my own need for boundaries and give myself necessary time away from other people’s wounds and healing work. I will distance myself from situations or relationships that trigger my old woundedness. I will actively pursue peace, love, joy, and liberation. I will seek out relationships and communities that value growth (mine and other people’s) and that don’t need to keep anyone wounded to justify their own lack of growth. I will be gentle with those with trauma and wounds, but I won’t settle for wound-worshipping in the spaces I hold.
I am committed to my own liberation. AND I believe, as Lilla Watson says, that “my liberation is tied up with yours”. I am committed to liberated relationships, where we honour each other’s sovereignty AND we lean into community, where we hold space for each other’s trauma AND we seek healing and growth.
When I published my book, The Art of Holding Space: A Practice of Love, Liberation, and Leadership, my publisher wasn’t certain whether we should include “liberation” in the title. I insisted though, and I’m glad I did. Because I believe that when we hold space for each other, we choose to serve mutual liberation.
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p.s. We’ve recently re-launched Write for Love and Liberation as a self-study program, in case you need support as you work through your own stories of healing.
We’ve also opened registration for the Holding Space Foundation Program, where you can learn more about holding space for yourself and others.
“When one woman doesn’t speak, other women get hurt.” ― Terry Tempest Williams, When Women Were Birds
“When I get my grad pictures taken,” my daughter Maddy said yesterday, “I want to have one taken where I’m holding a megaphone.” She graduates from high school in June. She’s hoping to buy her own megaphone before then, just because it’s something she feels that she should own.
Last week, while I was away in B.C. leading back-to-back retreats, Maddy was at home using her voice and learning to use a megaphone. As one of the leaders of Manitoba Youth for Climate Action, she’d helped to organize two major events – a die-in for climate action (with hundreds of youth pretending to die on the steps of the Human Rights Museum, to represent those lives being lost to climate change), and a climate strike (with 12,000 people participating in our city). Each day I’d get text messages from her with videos, photos, and multiple links to media interviews she’d done. In one of those news clips, she can be seen leading the marchers in a chant, megaphone in hand (video at the bottom of this link).
It was that short clip – my daughter shouting into a megaphone in front of thousands of marchers – that moved me to tears. The fact that she not only had the courage to USE her voice at seventeen (to speak on behalf of a planet that has suffered because of the greed and carelessness of many generations before her) but to AMPLIFY it was remarkable.
Not long before that, at a retreat on Holding Space for Yourself, I’d spoken about the ways that we, especially as women, keep ourselves small and hold back our voices. This wasn’t a “shame on you for being silent” conversation – it was an acknowledgement of the trauma, shame, and silencing we face and that generations before us have faced – all of those stories we carry in our bones, our hearts, and our bodies that tell us we are not worthy of having our voices heard and that we are in danger if we speak too loudly.
When I was Maddy’s age, I was still tangled in the grip of those influences in my life that told me that my voice had little value and should never be amplified. I remember, for example, simply wanting to read the scripture from the pulpit in the tiny rural church I grew up in (not even sharing my OWN words, but reading GOD’S out loud) and being told (by my father, who was the leader of the church at the time) that women weren’t allowed to do that. I KNEW I had leadership capacity and I KNEW I had something to say, but again and again I heard that that was a space reserved only for men.
That belief, seeded deep into my psyche, stayed with me for a long, long time, and even now, at fifty-three, I still have moments of sell-doubt when I know the old messages need to be rejected all over again. I spent most of my career, in fact, in service to that deep-seeded belief. Though I knew I had things to say, I spent the first half of my career working as a communications professional, teaching OTHER people how to communicate, helping OTHER people perform well in media interviews, putting words in OTHER people’s mouths by writing their speeches for them. I was the expert in communications, but rarely did I get to speak.
My job was to pass the megaphone to everyone else and to make sure they sounded good when they used it. Just as I’d been taught so many years before… “a woman’s role is to serve quietly in the background, letting the men have the shining roles.”
A few weeks after my mom died, I wrote a post about women’s voices. In it, I talked about how it was challenging to find my own voice, given the messaging I’d received (a lot of which, sadly, came from my mother) about the lack of value of that voice.
From that post: In recent years, while I’ve been growing my body of work, I’ve had a hard time sharing what I do with my Mom. Some things – like the teaching I do at the university – was fairly easy for her to grasp, but other things just didn’t make sense to her. For one thing, she remained committed to a Christian tradition that frowned upon women in leadership, so when I started teaching women how to lead with more courage, creativity and wild-heartedness, it didn’t really fit with her paradigms.
There was a time when it made me angry that my mom, who should have been my greatest advocate and ally, contributed to my silencing and the shame and fear I had to wrestle with in order to speak, but I don’t blame her any more. Years of healing work have helped me to understand how much she herself had been silenced and shamed and how much she felt responsible (though it was largely unconscious responsibility) for protecting me from the harm that comes to women who speak.
In the seven years since that post, I’ve learned a lot more about internalized oppression and trauma and how we adopt the language and behaviour of the systems that oppress us to silence, gaslight, and shame ourselves. It’s what keeps us submissive, silent, and in service to those who have more power. And then, because we’ve been well trained in it, we do the same to our offspring – passing down the oppression from generation to generation to generation.
I’ve also been learning more and more about trauma and how it’s intricately intertwined with oppression. I recognize it in myself every time I begin to speak of things that threaten to disrupt the status quo – my throat begins to close up, my body trembles, and I know that my flooded nervous system is trying to convince me to RUN! PROTECT YOURSELF! YOU ARE NOT SAFE HERE! It’s trauma from my own youthful attempts to speak and it’s trauma inherited from generations and generations of women – some of whom were branded as witches and burned at the stake for the very things I now speak of.
No, my mom is not to blame. Her silence, insecurity, and shame were all deeply embedded in the training that she, too, had received. That was all she knew how to pass down to her daughters.
My dad is also not to blame. He, too, was playing the role he’d been taught to play and held his own fear of how deviating from that role might bring harm to him and his family. (I remember the way he agonized about saying no to me when I wanted to speak – I’m certain he WANTED to let me.)
My parents were doing the best that they knew how and I love them for it. I love them for the many ways that they DID support me – the curiosity that my dad helped to foster in me, the way my mom modelled how to hold space long before I knew the term, the way they both encouraged me to read and learn and be open to other people’s views.
Despite their best efforts, though, I acknowledge the pain that was passed down to me. I acknowledge the trauma of being a woman with a voice who was taught that voice was worthless. I acknowledge the wounds I had to heal in order to get to this place where I now trust that I have something to say. I acknowledge the fear I still feel sometimes when my voice causes too much disruption and I face rejection and punishment from a system that doesn’t want to be disrupted. I acknowledge all of that AND I acknowledge the painstaking work that is required for ALL of us to heal what other generations have bequeathed us with.
This post started with my daughter Maddy and I want to end there. I was moved to tears by the video clip of my daughter with a megaphone partly because of the pride I feel for her and partly because the healing work I’ve done has disrupted what’s being passed from generation to generation. THAT is something to celebrate.
She can claim her space and use her voice at an early age partly because she has inherited less of the baggage that prevented me from doing the same. Her voice now rings loud and clear with all of the other youth around the planet calling on us to disrupt the systems that are destroying our planet. (It’s not lost on me that the disruption of patriarchal oppression allows youth to rise up to call for further disruption.)
It still takes courage for her to do what she does (and I take credit for none of that – SHE did this, not me), but at least she started out on more sturdy ground.
If you have healing work to do to be liberated from what you’ve inherited, know that you’re doing it not only for yourself, but for the generations that come after you.
The more we can hold space for ourselves in this healing, the more we can work collectively to disrupt the systems that keep us chained.
György Faludy decided, at age nine, to become a poet because he was afraid of dying. Lying in bed at night, in terror of not waking up in the morning, he resolved to create a world with words where he could feel safe, a world of his creation that would live on after he himself disappeared.
Faludy was Jewish, and in pre-World War II Budapest, he was blacklisted and his poetry banned from print. Undeterred, however, he became a translator and disguised his own poetry as the poetry of the French masters he was translating.
When German troops invaded Hungary, Faludy was thrown into deportation camp with other Jews. He managed to escape and succeeded in crossing half of warring Europe to end up in North Africa, where he was captured once again and thrown into another camp. When the allied troops finally liberated North Africa, he emigrated to Canada and then to the United States.
Though he continued to work as a translator in several languages in the U.S., he never felt as comfortable writing in an adopted language when the poetry of his heart wanted to be sung. After the war, he returned to Hungary, hopeful that his poetry would finally be accepted. The new regime, however, was even less receptive to his poetry than the old had been, and he was arrested, tortured by police, and thrown into a Communist “punitive” camp.
Still undeterred, Faludy produced some of his best poetry under the harshest circumstances in prison camp. What’s remarkable is that none of this poetry was written down because he had no access to pen or paper. He memorized all of his poetry and then, so that it would not be forgotten, taught other inmates to memorize it as well. Toward the end of his captivity, he wrote a long elegy to his wife and each part of it was memorized by different inmates. Some of these prisoners were released before Faludy and went to visit Faludy’s wife to recite the part of the poem they had memorized.
When Faludy was finally released, he escaped once more to the West and published his prison verses, relying on his memory, aided by mnemonic devices. (For instance, he made sure the first poem he composed began with the letter A, the second with B, and so on.) After it was published, he received letters from all over the world, from Brazil to New Zealand, from people who’d been in prison camp with him, containing corrections to his poems. Most of these corrections were incorporated into later editions of Faludy’s work.
What drives a man like Faludy to write poetry at such great cost and under such harsh circumstances? Surely he could have lived a reasonably good, risk-free life as a translator or high school literature teacher. If he had, he would have been spared at least one of his prison camp experiences.
But poetry wouldn’t leave him alone – it was both his vocation and his salvation; his siren song and his life raft. It compelled him forward, even into the harshest of circumstances. Then, when he was in those harsh circumstances, it gave him meaning and helped sustain his life.
What was the best thing I learned? That after need left my ravaged body love did not leave. – György Faludy
As Viktor Frankl says in Man’s Search for Meaning, “Those who have a ‘why’ to live, can bear with almost any ‘how’.” Like Faludy, Frankl survived Nazi concentration camp and it was his conclusion that those who had the greatest chance of surviving were those who were the most determined to find meaning in their suffering. By turning his suffering into poetry, Faludy found a sense of purpose and personal sovereignty that kept him from being destroyed.
I don’t know how I would respond to prison camp, or even if I would, like Faludy, choose to return to a country where I was at risk just so that I could continue to write in my mother tongue. But I do have some sense of what it’s like to have a purpose that has such a strong tug at your heart that you’re willing to sacrifice a stable and easy life in your quest for it.
Eight years ago this month, I handed in my notice at my stable, well-paying management job for the insecurity of self-employment. Why? Because I felt compelled to. Because I knew my life would continue to feel incomplete if I didn’t follow the calling that kept whispering in my ear. Because I knew that my own liberation was tied up with my sense of purpose.
Many have asked me how I stayed motivated during the lean years, and how I knew I was doing the right thing even when few were showing up for my workshops and the bills were barely getting paid. I hardly know how to answer them. I stayed motivated because I have always poured my heart into my work and, even when few paid attention to it, knew that it had meaning. It was the poetry that my heart wanted to sing.
That doesn’t mean that I didn’t have doubts and that there weren’t some days when I found myself deep in despair, not knowing whether the meaning I found in my work would ever translate into something other people would understand. There were days, in fact, when I wondered whether I was speaking a foreign language. But I persevered, not because I thought this work would ever turn me into a millionaire, but because that deeply rooted sense of purpose kept whispering in my ear, nudging me to take the next right step, calling me toward my own liberation.
I am writing this piece today, because I feel compelled to call you too to step forward and take your own next right step into the purpose that calls you toward your liberation.
I believe that we are at a crucial time in the world when we need more meaning-makers to step forward, to take risks, to breathe their poetry into life, to answer the call. It’s an “all hands on deck” moment, when the storms are raging, the mast of the ship is threatening to break under the pressure, and the waves are threatening to swallow us. In this darkening moment, when the world seems to be diving deeper and deeper into chaos and humans seem intent on self-destruction, we need poets, artists, creators, resisters, leaders, space-holders, lovers, gardeners, explorers, and teachers to do what Faludy knew to do as a nine-year-old – create a world with words, art, and imagination where we can continue to thrive despite the mayhem around us.
I’m not saying that you all have to leave your careers to follow some mysterious quest as I did, or that you have to risk poverty or prison in order to do work that you love. But I AM telling you that the generous, unapologetic outpouring of your gift will make the world better for you and for the people around you, even if people think you’re a little crazy for doing it. It won’t necessarily fix the brokenness of the world or change the outcome of this trajectory we’re on, but it will make the struggle more bearable and will help us find liberation.
I am reminded of that powerful moment in Les Miserable, when the oppressed people rise up together to resist the source of their oppression. Together, they stand on the barricades they’ve built and they sing at the top of their lungs…
Do you hear the people sing?
Singing the songs of angry men?
It is the music of the people
Who will not be slaves again!
When the beating of your heart
Echoes the beating of the drums
There is a life about to start
When tomorrow comes!
In that moment, music gives them meaning. It gives them belonging and community. It gives them purpose and strength. It liberates them and makes them stronger than their oppression.
In prison, Faludy’s poetry may have done nothing to change the outcome for himself or the other prisoners, but it gave them all a way to look toward the light. It gave them a reason to wake up in the morning. It lent them strength, and it helped them claim their own sovereignty even within prison walls. He wasn’t the only one invested in the poetry. All those who memorized it with him became invested too – so invested that they sought out his wife upon their release and/or sent in poetry corrections years later. His poetry became THEIR poetry. His purpose became THEIR purpose. His liberation became THEIR liberation.
The outpouring of one person’s gifts can give meaning to all those who receive it, even in our darkest time. It can liberate us, even inside prison walls.
I urge you, friends – don’t let the gift die inside you. Don’t let the poetry remain unwritten or the songs unsung. Write it, sing it, paint it, dance it, teach it, plant it, grow it – do what it takes to nurture that which is growing in your heart.
Don’t do it for wealth or fame, but do it for love. Do it for the light it shines into the shadows. Do it for the way it transforms a prison cell into a classroom or a garden. Do it for liberation from whatever imprisons you.
“Don’t aim at success. The more you aim at it and make it a target, the more you are going to miss it. For success, like happiness, cannot be pursued; it must ensue, and it only does so as the unintended side effect of one’s personal dedication to a cause greater than oneself or as the by-product of one’s surrender to a person other than oneself. Happiness must happen, and the same holds for success: you have to let it happen by not caring about it. I want you to listen to what your conscience commands you to do and go on to carry it out to the best of your knowledge. Then you will live to see that in the long-run—in the long-run, I say!—success will follow you precisely because you had forgotten to think about it” ― Viktor E. Frankl, Man’s Search for Meaning
